Afterglow is the result of long photographic exposures during which a slide projector reintroduces family archives into the place from which they come. The images produced become these projection spaces for and by memory, frozen and re-actualized by the photographic act. Both self-referential and bearers of new memories, they simultaneously evoke the faded history of the daily life of places and the excess of affect with which they are imbued.

Inviting us to reflect on the relationship of proximity between photography and the way we look at it, the project lays the foundations for a reflection on light, on photographic affect as well as on the images that inhabit us.